User:Cassandra Palop/Galatea

This page collects information about Emily Short's Galatea.

Endings

A glimpse into the seventy endings featured on release 2. As far as I know the list is comprehensive.

Spoiler warning: Story, puzzle, and/or ending details follow.

1. The protagonist grasps the curtain.
2. Galatea steps off the pedestal and walks away to show the protagonist that she is able to walk.
3. Galatea steps off the pedestal and the protagonist escorts her to another place so as to talk at length with her.
4. Galatea breaks the wrist of the protagonist for turning her a few degrees toward himself (for the second time).
5. Galatea steps off the pedestal to escort the protagonist to someplace so as to strip off her gown.
6. Galatea steps off the pedestal to run away from the tactless requests of the protagonist.
7. The protagonist challenges her to infringe the first law of robotics. Galatea justifies her aversion to violent behavior because she has the same moral opposition against violence as him.
8. The protagonist goes away. Instead of writing a review he takes pity on her.
9. The protagonist goes away without writing a review and unable to deal with her.
10. The protagonist goes away. He feels remorseful about his poor review. He concludes with an adage, which expresses the value of details to distinguish the subtlety of things.
11. The protagonist goes away. He feels remorseful about his poor review. He acknowledges that he has sufficient data about Galatea to form an opinion.
12. The protagonist goes away. He ponders the details of his evaluation and feels that he overlooked something.
13. The protagonist goes away. He ponders the details of his evaluation and reaches a conclusion.
14. They both end up talking about their countless experiences. The protagonist notes down his phone number to her.
15. They both end up talking about their countless experiences. The protagonist does not mind hugging her in front of the caterers.
16. The protagonist takes her place on the pedestal: he receives deficient reviews and Galatea is hired as a helper on the gallery.
17. While hugging her, Galatea steps off the pedestal and into his arms. The protagonist can not leave Galatea there, so he takes her with him.
18. The candor of Galatea comes to the surface, she steps out the pedestal and the protagonist takes her to another place in order to talk at length with her.
19. The protagonist goes away, scared of his own sinister impulse to kill her.
20. Galatea admits that she was in love with the artist, the remainder of her existence being only incidental. To the protagonist this is the end of her performance: he couldn’t care less.
21. Galatea admits that she was in love with the artist, the remainder of her existence being only incidental. The protagonist corrects her final statement: her life has been incidental up to now; and his last words finally give back a proper smile to Galatea.
22. The protagonist hurts her feelings and she invites him to leave her alone.
23. While the protagonist is pondering whether to kiss her or not, Galatea kisses him instead. She is crying. He takes her to another place in order to talk at length with her.
24. The protagonist goes away. Galatea remains indifferent to him.
25. The protagonist goes away. Galatea says goodbye and hopes for the protagonist’s return. However, his mind is already on the forthcoming buffet.
26. The protagonist goes away. Galatea says goodbye but he answers with dull politeness.
27. The protagonist goes away. Galatea says goodbye in such a tone as if he was a burden.
28. The protagonist goes away. Galatea asks the protagonist whether he is bored. He answers that he has other exhibits to look at. He finally remarks that even her artist would notice that she has to polish up her skills.
29. The protagonist goes away. Galatea asks the protagonist whether he is bored. He answers that he has other exhibits to look at, and that surely, someone else will find her soon.
30. The protagonist goes away. Galatea thanks the protagonist for the information provided about Pygmalion. But the protagonist does not bat an eyelid as he walks out.
31. The protagonist goes away. Galatea thanks the protagonist for the information provided about Pygmalion. Although the protagonist hesitates briefly, he compels himself not to get involved in Galatea’s misfortunes.
32. The protagonist goes away while Galatea tries to say nothing to hold him there.
33. The protagonist invites Galatea to step out of the pedestal. She, modestly, but confident in his words, finally descends from the platform.
34. The protagonist invites Galatea to step out of the pedestal. She, bravely, descends from the platform asking about the artist. Galatea, nearly obsessed with her artist finally leaves the protagonist out.
35. The protagonist invites Galatea to step out of the pedestal. She, bravely, descends from the platform asking about the artist. She is joyful and has the intention to reprimand the artist.
36. Galatea kills the protagonist.
37. Galatea kills herself (even if the protagonist is worried about her/because of the artist/to demonstrate the protagonist that she is not an animate/because of her state of affairs/because she is, altogether, only marble).
38. Galatea gets angry with the protagonist for considering her an animate.
39. Without warning, Galatea kisses the protagonist in the mouth.
40. Galatea steps off the pedestal, curious, seeking for the other exhibits; the protagonist will be her guide.
41. Galatea becomes sad after the protagonist confesses that he is a critic.
42. Galatea prays to Zeus and He makes her human; afterwards she pukes all over the protagonist.

(TO BE CONTINUED)

Spoilers end here.